Beau-Laid
Ceramics Art + Perception no.113 pp.16-17
'For Anne Marie Laureys, the process of making an object begins by throwing a classical, symmetrical and recognizable pot. But the clay is then punched,pinched and deconstructed, something she describes as "a physical exploration of action, reaction and interaction between hand, mind and material." This results in forms that challenge the viewers notion of a vessel form.'
Beau-Laid - something ugly can be beautiful
'Through a process that removes all traces of process, she confronts our perception of ceramic skills by creating new dynamic and expressive works that appear as if they have melted or imploded in the kiln.'
'Baudelaire: ugliness opposes harmony -> it is the unresolved tension, the conflict of contradictory forces that has been left standing as it is.'
http://www.jasonjacques.com/contemporary/anne-marie-laureys (accessed 22/01/2020)
https://www.youtube.com/watch?v=8jNSS_mm65w
'For Anne Marie Laureys, the process of making an object begins by throwing a classical, symmetrical and recognizable pot. But the clay is then punched,pinched and deconstructed, something she describes as "a physical exploration of action, reaction and interaction between hand, mind and material." This results in forms that challenge the viewers notion of a vessel form.'
Beau-Laid - something ugly can be beautiful
'Through a process that removes all traces of process, she confronts our perception of ceramic skills by creating new dynamic and expressive works that appear as if they have melted or imploded in the kiln.'
'Baudelaire: ugliness opposes harmony -> it is the unresolved tension, the conflict of contradictory forces that has been left standing as it is.'
http://www.jasonjacques.com/contemporary/anne-marie-laureys (accessed 22/01/2020)
https://www.youtube.com/watch?v=8jNSS_mm65w
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